Who Watches the Rewatchers · Nov 6, 2026 · 1:10:34
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Jarrod opens by turning the word "amends" over — old-fashioned, and for him inseparable from the 12 steps — which turns out to be the perfect key to Buffy's one true Christmas episode. He and Alan work through "Amends," the Angel-centric hour that flashes back to 1838 Dublin (Angel newly turned, chasing a debtor named Daniel through the snow) and forward to a sweltering Sunnydale where the news promises a hot, sunny Christmas. They trace the deliberate Dickensian architecture — the Ghost-of-Christmas structure, the "scary ghost stories" line from the carol, and a lovely tangent on how Dickens more or less invented the modern holiday in 1843, which means the fully-throated Christmas cheer of 1838 Dublin is a charming anachronism the episode needs anyway. The heart of the conversation is the First Evil, wearing Jenny Calendar's face to torment Angel, and what the show is really saying about evil: Jarrod reads the hauntings as a shame spiral, the addict's loop of ruminating on your worst self until you relapse, and lays out the Augustinian view of evil as privatio boni, no-thing, a cavity eating the good — against the show's own instinct to make evil ontologically first, which leaves good with nowhere to stand. Alan brings the craft: the framing that keeps Willow and Oz together in-shot while isolating Buffy and Angel, the all-red mise-en-scène of Willow's fireplace seduction, and Oz gently refusing because he wants it to mean something. There's Giles inviting in the vampire who murdered his girlfriend at crossbow-point, Xander's rough-holidays sidekick energy and Hanukkah spirit, and the anticlimax that maybe explains its low ranking — no final battle, just a dramatic ledge-top plea and then impossible, purifying snow falling on a heat wave. Plus the closing question the whole series can't escape: if evil is first, how does good ever win, and why does the atheist absurdist who built this world keep reaching for a Christmas miracle? Gingerbread is next.
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