The Woman Who Finds Things · Special Matters S01E03 · Continuing Superhero Audio Drama

This radio drama uses AI-generated writing, voices, music, sound effects and artwork. All spoken performances in this edition use ElevenLabs V4.

What do you do when the one woman in Boston who can find anything cannot find a missing child? S01E03 of Special Matters, a continuing noir superhero audio drama from the Mono Noir Super Series. New here? Start with the pilot, S01E01, The Man in the Harbor: https://www.youtube.com/watch?v=euQ1l6eKjg4
Previous: S01E02, The Man Who Took the Blame: https://www.youtube.com/watch?v=SWom5xQyPeQ

Read the story and the full transcript: https://matezz.com/episodes/the-woman-who-finds-things-special-matters-s01e03-continuing-superhero-audio-drama/

Boston, December 1950. In the Lost Property office at South Station, Daisy Quill can feel anything that somebody wants back: a wedding ring, a child's mittens, a watch pawned six years ago on Hanover Street. Twelve-year-old Lottie Marsh has been missing for four days, and her father is begging for help. Nell Harrow, the policewoman at the basement desk for the cases nobody else will file, comes to take Daisy to headquarters, with Jonah, the man with no pulse who hears every heartbeat in a room. There they learn that a car is coming for Jonah at nine the next morning, to take him to the city's health department for three days of what is called a short clinical examination. And Daisy can feel everything lost in Boston except that one little girl.

From the series Special Matters, the first of the Mono Noir Super Series: a continuing, episodic superhero audio drama in which the same characters return, grow and carry what happened into every new case. This is S01E03; the story continues in order. About forty-eight minutes, performed by a full multi-voice AI cast with an original score and sound design.

An original work of fiction. All names, characters and dialogue are fictional; the words, actions, motives and private lives of every character, including the police, the city officials and the doctors, are invented for drama. Where a real city, neighborhood, street, railway station or public body is mentioned, its part in this story is invented, and no character in this story is a real person. This is a work of fiction, not a factual account of any real person or institution.

Setting: Boston, December 1950 — with South Station and the South End.

Chapters:
0:00 South Station, Lost Property
5:10 The Captain's Office
9:37 The Marsh Kitchen, Noon
18:42 Half Past Two
23:48 A Quarter to Three
29:23 The Same Kitchen, the Same Minute
33:14 Late Afternoon
35:56 Wednesday, Dusk
41:06 The Back Step, Near Midnight

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