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◈ Elias La Fuente locks in somewhere between a '97 UKG dancefloor and a Latin block party that never stopped. 'Vamos a La Palma' opens with a cocky funk salsa bassline, all swagger and forward motion, before a shuffled 2-step beat drops and reframes the whole thing.
Rhodes and organ shimmer across the top. Tabla and analog synths hit the polyrhythmic pockets. The sub-bass sits clean and heavy underneath it all, holding the room together while everything above it gets increasingly unhinged. Footwork and juke rhythms cut through the dembow stutter like a blade.
This is what the MJ Cole-era shuffle sounds like when it collides with salsa juke and tech house precision. Soulful, hypnotic, warm. Around 128 BPM and built to move.
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