🚀 Faster, Please! — The Podcast #14

➡ Reminder: I will be writing much less frequently and much shorter in November — and November only. So for this month, I have paused payment from paid subscribers.

Also, I’m making all new content free without a paywall. In December, however, everything will be back to normal: typically three meaty essays and two enlightening Q&As a week, along with a pro-progress podcast like this one 👇 several times a month (including transcript). And, of course, a weekly recap over the weekends.

Melior Mundus

Here at Faster, Please!, I write a lot about the need for optimistic, inspiring science fiction. As I’ve put it before:

It’s important that our culture create aspirational and inspirational visions of the future. Underlying the rapid advance of human progress over the past quarter-millennium has been a powerful optimism about tomorrow combined with what sociologist Elise Boulding has described as a “utopian sense of human empowerment.” We have to believe that the inevitable disruption caused by progress will be worth it — if we make the right decisions.

We also need to believe that we can invent, broadly, the future we want. Right now, however, it seems we think that we’ve carelessly created a future that our kids and grandkids won’t want — a future of rising temperatures and rising inequality. And since the early 1970s, Hollywood has both reflected and encouraged that gloomy belief. But sci-fi could again be pro-progress and future-optimistic (what I call “Up Wing”). It could have plenty of dramatic tension while also showing a path toward a better, although still imperfect, world.

I'll often ask my podcast or 5 Quick Questions guests/interviewees to point to an example of that kind of science fiction. And perhaps no film, book, or TV show gets held up as the standard for sci-fi more than Star Trek. To learn more about the history of the franchise and to discuss its future-optimism and cultural importance, I'm speaking with Ryan Britt.

Ryan is the author of the tremendous new book Phasers on Stun! How the Making and Remaking of Star Trek Changed the World, out earlier this year. Previously, he wrote Luke Skywalker Can’t Read and Other Geeky Truths. Ryan is also an editor at Fatherly and a contributing writer for Inverse; both BDG brands. In addition, he also writes regularly for Esquire, Den of Geek! and Star Trek.com.

In This Episode

* The Original Series and ‘60s sci-fi (1:19)

* The mainstream appeal of Star Trek (5:44)

* Star Trek’s future-optimism (12:06)

* The essence of Trek (21:24)

Below is an edited transcript of our conversation.

The Original Series and ‘60s sci-fi

James Pethokoukis: When originally broadcast, Star Trek did not have great ratings. Obviously it has become an institution since then. Why didn't it do better when it was first on regular television back in the ‘60s?

Ryan Britt: It's a little bit of a matter of debate. One of the people that I interviewed for my book, Marc Cushman, did these deep dives into the ratings for his books, which were these very, very in-depth books called These Are The Voyages. And his contention is that if you look at it by today's standards, five or 10 million people is a lot. Now we have all these streaming services that target these niche audiences and stuff like that. It would no longer be considered a failure. But at the time, you only had three networks. You had NBC, CBS, and ABC. And Star Trek was on NBC, and it didn't compete in the way that NBC wanted it to long term.

That said, it had a very strong start. And Lucille Ball who ran Desilu Studios that produced Star Trek sent a note of congratulations to Gene Rodenberry when it started, saying they were off to a great start. But the flip side of that is we forget that Star Trek introduced mainstream American television audiences to all this stuff in science fiction that they had no exposure to before. On the one hand, five, 10 million people, 20 million people, might not seem like a lot compared to today's viewership, but back then it was a huge explosion.

When talking about the original series, people often will say it was really a piece of its time with a “New Frontier” spirit. You had the Cold War analogies between the Federation and the Klingons; you could even look at Captain Kirk as a John F. Kennedy kind of character. But those ar