🚀 Faster, Please! — The Podcast #27

I have many times written about the importance of the story we tell ourselves about the future, especially in big-budget science fiction films. But does all the doom and gloom from Hollywood even matter? And is it driven from creatives at the top or by audience demand? To discuss those questions and more, I'm talking with Sonny Bunch.

Sonny is the culture editor for The Bulwark, where he hosts The Bulwark Goes to Hollywood newsletter and podcast.

In This Episode

* Netflix’s upcoming $200 million techno-pocalyptic movie (1:06)

* Why is Hollywood obsessed with dystopia? (6:17)

* The solutionism of The Martian (8:48)

* Do sci-fi visions of the future even matter? (15:03)

Below is an edited transcript of our conversation

Netflix’s upcoming $200 million techno-pocalyptic movie

James Pethokoukis: I write a lot about negative future-pessimistic media. Netflix has a big new movie in the works, a $200 million film directed by the Russo brothers, who you may know from the Marvel movies. They’ve got Millie Bobby Brown, Chris Pratt. Big production. It's called The Electric State. And this is a summary of this film: “A runaway teenager and her … robot travel west through a strange USA, where the ruins of gigantic battle drones litter the countryside heaped together with the discarded trash of a high tech consumerist society in decline.” And then it goes on about our “hollow core of civilization has finally caved in.”

This might be a fantastic film, and I have a lot of confidence in the Russo Brothers and that budget. Here we are, we have a lot of interesting things cooking in the world from the Musk rockets and AI and huge breakthroughs in biotechnology, and that's the movie they're giving us for $200 million, about the decline of consumerist society. You've been writing a bit about this topic. When does it end?

Sonny Bunch: It's interesting because I was thinking about this the other day: Really, what is the only truly utopian vision of the future? It's Star Trek. That's about it. In terms of mass popular entertainment, the only really, truly utopian ideal of the future is Star Trek. Now, there's still conflict in Star Trek. But it is at least a kind of post-scarcity society where folks are interested in exploring the world and bettering everyone. Look, part of this is it is easier to create tension and drama out of things that are bad. And what's the easiest way to look at how things might be bad? Look at what basically works about right now and say, “Well, what if this doesn't work? What if it's actually bad for us?” The idea of Netflix producing a stirring condemnation of consumerist society is kind of funny in and of itself. Netflix is the absolute peak of consumerism.

Literally, the mission statement of Netflix is to sit on your couch and consume; consume so much you don't fall asleep. The initial argument for Netflix one of the creators the company made was, “We are trying to win the war against sleep.” They're not winning the war against sleep by encouraging people to create wonderful new advancements of society. It’s just to sit there and passively consume. So it's kind of funny. I like a good dystopian action movie. I can watch those all day long, so I'm probably as much of the problem as anything else. But it's definitely a thing.

And it just doesn't seem that hard to me to have some sort of positive message, even if it's overall kind of dystopian or apocalyptic. I just don't see that there's any attempt. It's just full-throated doom.

Remember when Interstellar came out? I love Interstellar. Great movie. It is hopeful in a certain way. It's about trying to find new places for Earth to live; it's on the edge of collapse. When Matthew McConaughey's character comes back about a hundred years later because of all the time dilation, humanity has moved up to the space stations that are orbiting and people have been saved. As far as these things go, it's actually a fairly positive message. Except there was an undercurrent from some critics who were like, “You know, this means that like billions of people died, right? They didn't save more than a handful of folks up on those space stations. Most of humanity is dead or dying.” And I was like, yeah, but they didn't focus on that. It's still pretty positive.

I would counter argue that one of the themes of that movie is at some point we turned our back on progress. It's like society be has become anti-technology. To me, that movie says if we had not abandoned technological progress, maybe this huge disaster which has befallen the Earth, maybe we could have fixed it. But now it's