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Wonder Dynamics co-founders Tye Sheridan and Nikola Todorovic join GG Hawkins to explain how their filmmaking backgrounds shaped the development of AI-powered production tools for artists. They trace the company’s evolution from an interactive storytelling startup to Autodesk Flow Studio, a tool designed to transfer live-action performances to CG characters while preserving creative control and compatibility with established VFX pipelines. The conversation covers Hollywood’s changing relationship with artificial intelligence, the potential for lower-cost sci-fi filmmaking, Autodesk’s acquisition of Wonder Dynamics, the continuing importance of marketing and distribution, and how emerging filmmakers can prepare for an AI-integrated industry.
In this episode, No Film School's GG Hawkins and guests Tye Sheridan and Nikola Todorovic discuss...
How Sheridan and Todorovic met while working on Last Days in the Desert and bonded over their interest in making independent science-fiction films
Why the expense of CG and visual effects inspired them to pursue a lower-budget, “Blumhouse model” for sci-fi and animation
Wonder Dynamics’ pivot from interactive narratives to AI tools focused on film production
Why AI filmmaking technology should be developed by people who understand professional production and post-production workflows
The differences between tools made for social media content and tools made for long-form narrative filmmaking
Why editability, control, and compatibility with established VFX pipelines became central to Autodesk Flow Studio
How Autodesk Flow Studio captures a performance from single-camera footage and transfers it to a CG character without a traditional motion-capture stage
Why Sheridan and Todorovic do not believe an actor’s performance should be generated entirely through prompts
Hollywood’s pushback against AI during the SAG-AFTRA and WGA strikes and the industry’s gradual shift toward discussing responsible use
How filmmakers can evaluate AI tools according to their ethics, usefulness, and respect for artistic control
The potential for AI to lower production costs and help independent filmmakers create ambitious sci-fi and VFX-heavy projects
Why cheaper production does not eliminate the challenges of marketing, distribution, and audience discovery
How short films, YouTube projects, commercials, and music videos can serve as testing grounds for new filmmaking technology
The opportunity to create visually ambitious genre films that remain grounded in original ideas and character-driven storytelling
What Autodesk’s acquisition of Wonder Dynamics provides in terms of 3D expertise, scale, resources, and integration
How small production teams have used Autodesk Flow Studio to revive scripts they previously could not afford to produce
Why future filmmakers may see AI as an ordinary part of every creative tool rather than a separate category
Sheridan’s advice to practice whenever an opportunity appears and learn from every film set
Todorovic’s advice to persistently seek mentors and approach experienced professionals with genuine curiosity
Memorable Quotes:
“For us, that became our core theme, is just building something for artists that leaves them in control.”
“AI is like the Internet. You can’t just say AI is bad or AI is good. It means so many different things. It really depends on how you’re using it and whether or not you’re maintaining the integrity of the artist process.”
“We’re kind of allowing distribution to everybody, we’re going to allow the production to everybody, but now it’s a matter of being discovered.”
“Be stubborn, be persistent, and try to find the best mentor you can possibly think of, someone you admire, and then just bother them with emails for six months. You’d be surprised.”
Guests:
Tye Sheridan
Nikola Todorovic
Resources:
Autodesk Flow Studio
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