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When government planning turns communities into maps and statistics, whose lives disappear from the page? Mike talks with director Casey Carter about To Use a Mountain, his visually arresting journey through six American sites considered for a permanent nuclear-waste repository. Carter traces the film from his study of photography, physics, and architecture to six years of fieldwork, relationship-building, cinematography, animation, and editing. He discusses the human stories missing from Department of Energy reports, the challenge of joining investigative rigor to landscape portraiture, and the radioactive dinosaur bones he encountered along the way. The result asks what it means for a place—and its people—to be deemed disposable.
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